There will be banal moments and, organisers hope, ones of real excitement. “It is a form of mass portraiture really,” said Gregory. The astrophysicist will talk about stars. A cook will prepare dinner to share with the audience. There will be presentations, such as the midwife explaining about a baby passing through the birth canal. A painter and decorator will spend up to nine hours wallpapering walls. Originally conceived as a 90-minute touring show, the concept has morphed into a 12-hour experience, getting its world premiere in Leeds on Saturday, starting at noon and ending at midnight.Īudiences might see participants answering questions: 670 of them have been compiled, ranging from the straightforward “What do you?” and “Where have you travelled from?” to “How much would you spend on a new pair of shoes?” and “Do you know how much your parents earned?” Photograph: Christopher Thomond/The Guardian
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“Like others I sat down and started thinking: why do I still do my work, 40 years on … does it contribute anything to the world?”Įmily Bailey, a caterer. Then came the pandemic, which prompted so many people to question the lives they were living. “It was peak Donald Trump time when all the messaging was about having very limited views of who society should involve and embrace and invite in.” The seeds of the project were sown in the autumn of 2019, Gregory said. “So many people are really unaware of how remarkable the ways they spend their time are,” said Richard Gregory, a co-artistic director of the company behind the event, Manchester-based Quarantine. What people do for a living, whether it is helping deliver life or building a wall.
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Or a live exhibition of people.Īt the heart of it is work. The somewhat mind-bending gathering was taking place in preparation for a 12-hour arts event that could be described as an epic documentary theatre performance. On Saturday, they will be joined by fellow workers of the world including a midwife, a dog groomer, a bricklayer and an astrophysicist. | carolsawyer.A caterer, a coffee roaster, an imam and a former drug dealer were among the first to show up at Leeds Playhouse on Thursday. Her work is represented by Republic Gallery, Vancouver. She performs regularly with her improvising ensemble ion Zoo (with whom she has released three CDs) and in other ad hoc improvising ensembles. Since the early 1990’s her visual art work has been concerned with the connections between photography and fiction, performance, memory, and history. | Carol SawyerĬarol is a visual artist and singer working primarily with photography, installation, video, and improvised music.
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She has given presentations on her artistic practice and research at universities across Quebec, including Laval, McGill and Concordia, and has facilitated youth workshops at the Ottawa Art Gallery and Redwood City High School in California. Her work has been exhibited at the Montreal Museum of Fine Arts, Places des Arts and Station 16 in Montreal, and the Mohr Gallery in Mountain View, California. Using phenomenology (the study of experience) as a methodology, her practice aims to engage viewers on issues of race, gender and power in ways that make them aware of their own complicity through interactive and installation-based pieces. Inspired by the work of countless Black feminist intellectuals and artists, her work aims to combine critical theory and visual arts practice and explores the role of art as an interactive and disruptive force. Kosisochukwu is a Nigerian-Canadian visual artist. Through her work, she challenges the expectations placed on Indigenous people by telling their stories from her own perspective. Shelley was born in Niagara Falls, New York and grew up on the Six Nations of the Grand River Reserve, near Brantford, Ontario. Magsi holds an MFA in Interdisciplinary Art, Media & Design from OCAD University. Born and raised in Karachi, Pakistan and currently living and working in Toronto, Canada, Mariam Magsi is a Multidisciplinary Artist working in Photography, Video, Performance, Installation and other arts.